The initial idea for the print came from the Leighton House drawings and another I did a couple of weeks earlier..
From initial drawings I transcribed to tracing paper, then straight onto the lino. From there I worked out the light and dark areas by painting onto the lino with white acrylic. This gives you more of an idea of how the final print will look - and finally carved the block.
The final carved blocks, ready for printing..
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